Major exhibition this autumn at M: Thomas Demand
MATURED FOR TWENTY YEARS
In M you will also see works for which you have worked with architects yourself. How did those collaborations come about?
“Architects appreciated my work for years before I became aware of it. I’m sure there are several reasons for this, but I think it’s mainly because I create spaces with a certain character, with a narrative and iconic quality that architects strive for. I even heard that architects I’d never heard of referred to my work in invitations to tender without me knowing it or included design sketches in their files that looked very much like my work. They sometimes say that imitation is the sincerest form of flattery, but I found that somewhat exaggerated (laughs). But after a while this led to collaborations. On the one hand I work a lot with architecture in my exhibitions; on the other hand, I was asked more and more to develop my ideas into real architectural projects.”
“That is the core of the M exhibition: it is about my work and architecture, and about the interaction between the two. There are several artists who work with architecture, but not many who approach it the way I do. I thought it would be interesting to show how these two domains can overlap.”
“The exhibition has been maturing for twenty years. We can’t even show some of the works I made during that time – such as the Belgian pavilion at the Venice Architecture Biennale in 2008, a project by OFFICE Kersten Geers David Van Severen, in which I had a small contribution. Or, more recently, the design for KANAL, the museum in the old Citroën garage in Brussels. I had participated with 51N4E and Caruso St John, but our entry did not make it. Too bad, I was looking forward to becoming a museum director (laughs).”
NEW WORK
What can people expect from the exhibition at M? For example, are there pieces that will be on view for the first time?
“Some pieces are not new, but are shown in a completely new context. Such as ‘Nagelhaus’, a controversial project in Zurich for which I worked with Caruso St John, but which was never completed. Or ‘Black Label’, my project for an exhibition space in Japan that probably no one in Europe has seen yet. Certainly not in combination with ‘Untitled (Thomas Demands Here)’, the work of Rirkrit Tiravanija that is based on ‘Black Label’, and that will also be shown in M.”
“But most of what you will see is new. For example, I am thinking of the series around the block patterns used by Azzedine Alaïa – a wonderful, unique fashion designer – to make his toiles. We’re also unveiling three pavilions I designed, which are currently under construction in Denmark. It’s the first time that the ‘Model Studies’ for that project will be exhibited together. For a photo exhibition, the expo is very three-dimensional, very immersive.”
“What’s more, it’s not a classic solo exhibition. I’ve invited several other artists – I already mentioned Rirkrit Tiravanija and Caruso St John, but I’m also thinking of the sculptor Martin Boyce, the architect Arno Brandlhuber … All these worlds will enter into dialogue with each other in M. I’m looking forward to it.”
The exhibition on the work of Thomas Demand runs from 09.10.2020 to 18.04.2021.