Plank Communication Center
Plank Communication Center
Since 2019, visual artist Vedran Kopljar (born 1991 in Croatia) has been investigating the plank works of the American minimalist John McCracken (1934-2011). He approaches these planks as a case study for the relationship between viewer and art object. He sought out the works and wrote letters to them. M maintains an archive with carbon copies of all those letters: the Plank Communication Centre.
John McCracken's 'Planks' are works of art in the form of narrow, upright planks made of wood and strong, glossy polyester, often in bright monochrome colours, and leaning against the wall. Today, they are spread across collections all over the world.
Vedran Kopljar is very interested in language, communication and perception. He became fascinated by the 'Planks', and decided to look into whether it would be between for him to communicate with work of art, and if so, which.
In 2019, he began to look up some of McCracken's works. He often spent hours with a plank. He also started writing letters to the planks. These 'Plank Communications' often consist of so-called dessin automatique or colours - an attempt to approximate the language of the plank itself. He designed the stationery especially for this purpose. Kopljar makes a carbon copy of each letter. These will be added to the archives of the Plank Communication Center, which are kept at M.
The archive functions as a 'speculative institution', where the trajectories of all these communication attempts converge. In turn, the archive at M is housed within a museum institution. The façade of M displays the sign with the PCC logo designed by Kopljar.
Kopljar sees Plank Communications as an artistic investigation into the transfer of meaning between artwork, artist and spectator. By organising encounters with the planks, and by communicating with the planks through the museums, collectors or galleries, the project also sheds light on the functioning and accessibility of art institutions and collections.