Alias | Transcripties Hennessy Youngman
Hennessy Youngman
ART THOUGHTZ
What up, Internet? This ya boy Hennessy Youngman. And you know, I've been getting some emails from some of y'all who saw my video “How to make an art”. And some of y'all expressed some confusion as to what steps you should take in making your own art object. And I decided to follow that video up with another one that's not so theoretical, one that's more practical and show you how to make an art with very little means, you know what I'm saying?
Right here I got these two statues of David. That's all you need. Boom. These two niggas right here, you need a can of black spray paint, all right, and a can of yellow spray paint. And with these supplies, I'm going to make a sculpture. All right, walk with me, Internet. Let's go.
So first off, I'm going to start with the one statue. I'm going to put one over here so it don't get dirty, you know what I'm saying? Put y’all right there, and I'm going to start with the black spray paint, you know what I'm saying? Just to go easy. You know what I'm saying?
Shake that shit up. Agitate it. You know what I'm saying? It's real easy, Internet. Boom, Internet, boom. Blackface. You know what I'm saying? Blackface David. Gotta keep the chains, you know. Can't have the chains get dirty, you know. Gotta be careful with that. Shit is expensive. Come around here, like so. Ventilation, proper ventilation isn't required. Look at that.
Bring in dos dos, remove this guy, right? Shouldn't really be touching it. Fuck it. Put that one right here. How y'all doing? I should have this piece done in like, you know, under half hour. I should have this coat done under half hour, you know? You know, get this guy right here, you know what I'm saying? It ain’t hard Internet. It's not rocket science, you know what I'm saying? It's the easy part, making it. The hard part is giving it cultural context. You know what I'm saying? That's the difficult part with this kind of work. It's almost done. That's it for now. I'm going to go play some God of War while this shit dries. And I'll be back in like, I don't know, I'll be back in like 20 minutes to see. Check up on this shit. All right? Peace.
Okay, that's it, Internet. Now that we have these two objects together, they begin to have a conversation with one another and they become one whole sculpture. Looking at this piece, I think I'm going to call it “The Buddy Cop” or “Buddy Cop”. The sculpture, it places itself rather aggressively within the history of western art. Also, we begin to have a conversation about kitsch and how it begins to desecrate the fine art object through reproduction. We also have a very, very large conversation on race, class and globalization, and also the dissemination of these racial archetypes via contemporary cinema. So we can also include a commentary on contemporary cinema as well within discussion of this piece, which is known as “The Buddy Cop”. No, “The Buddy Cop”, I like that.
Last but not least, this is very important. You know what I'm saying? You're going to need a price gun as well, because you don't want people to walk into the gallery and be confused as to what it might cost. Sometimes they got to go get a price sheet, and it's kind of embarrassing for them to have to go up to the little cute girl behind a desk and ask for a price list. And then when they look at it, they can't afford it. You put the price right on it. People aren't really confused, and they could pretend like they're just admiring it for its itness, even though they're trying to figure out they can afford it. So I'm going to just go right ahead and smack a price on this bitch right here. Okay. All right. There on the shoulder. That's a good spot for it.
And yeah, that's it Internet. I hope this video helped you out. I try to be very unselfish in making these videos. I really want to see some new art stars. Want to see some shining stars. And stay tuned for the next art thoughts. I love you all. All right, peace. Make that money. All right. Love you all Internet.