South African artist Anna van der Ploeg guesting M for five months
SOUTH AFRICAN ARTIST ANNA VAN DER PLOEG GUESTING M FOR FIVE MONTHS
Meet Anna van der Ploeg
Since the beginning of March, M has a new artist in residence: for five months, artist Anna van der Ploeg (30) will be devoting herself to her work in the M studio.
This residence is huge for me
You studied fine art in Cape Town, but got your master's degree at KASK in Ghent. Why did you choose Belgium?
Anna van der Ploeg: "I knew someone who had studied at KASK, and they had told me about the master programme. What particularly appealed to me was that you can study so many different disciplines there, and come into contact with students outside your own field. The artistic climate in Belgium interested me, because I got the sense that there was space and support for the arts. That turned out to be true, as I got a scholarship to study there. Fairly exceptional because they don't have that many scholarships for international students."
Did that period at KASK influence your art?
“Most certainly. I moved to Belgium in September 2020. Bad timing, as the lockdowns meant we had no access to the studios. That first year was not the way I had hoped. Living in Belgium was part of the experience for me, but I didn't get the chance to do that. I only interacted with a few other students and teachers."
"On the other hand, having so much time allowed me to focus completely on my work, and on the theoretical seminars. I found those great, the best I've ever had."
How would you describe your work to people who don't know it?
"My work is very diverse. But perhaps you could call it sculpture at the intersection of wood print, painting and sculpture. My focus is currently on sculpted, painted works in wood."
"I am particularly interested in the interaction between people, and the way language shapes that interaction. But at the same time, I don't want to portray those interactions directly. Instead, I depict objects that play a role in it. What matters to me is not so much their value as an object but how people used them. More specifically, it is about tables and posters."
"Tables play an important role in human interaction. The conversation space changes completely when you take them away. The posters started out as a completely different project, but the more research I did, the more similarities I saw. 'Table', for example, has the same word root as the French 'tableau', which means a 'surface on which to depict or note something'. Which might as well be a description of 'poster'."
"There are other similarities too. Both posters and tables are surfaces that people can congregate around. Both lend themselves to games and being playful, but also enforce prescribed roles and hierarchy..."
You have already had residencies in South Africa, France, India and Japan. What does the residency at M mean to you in your development as an artist?
"It's huge for me. I really appreciate that it is a research residency and that I am not necessarily expected to deliver new works. M understands that expectations get in the way of creativity, even your own expectations when you write down your project proposal."
"It also provides me with a physical space, and I really need that. For the last six months, I have moved every week. So I find the idea of stability, of being able to work from the same space, very appealing. Knowing that the residency is coming up also makes me enjoy the moves more."
Do you have plans for the residency?
"Yes, specific plans even, but I prefer to keep those to myself. Broadly, I will continue to work with plywood, because that is what I am working on intensively now. I am curious about the wooden works in the museum, and what the museum context will bring out in me. I have heard, for example, that M has an impressive collection of medieval wooden sculptures."
M is offering you the opportunity for feedback from curators and other experts. Are you going to take advantage of that?
“Absolutely! I found the richest part of studying was the time and space you get to talk to other people about your work. Both with other students and with experts and established artists. It's rare to be able to discuss your work in depth, and then be able to do so with people who have the knowledge and resources... That's so generous. It is great that the museum can do that."
Finally, what would make you consider your residency a success?
"All the usual answers to the success question apply here, of course. But it's also interesting to think about the opposite: what would turn a residency into true disaster? (Laughs) Maybe a successful residency then is everything that is not a disaster."
"But in fact, I don't want too many benchmarks for success. I strive for a context where I can be free and playful, because that is when I am most productive."