Crossing Borders

Crossing Borders

22.09.2017 - 27.05.2018

Medieval Sculpture from the Low Countries

In the Low Countries, the art of sculpture reached its highpoint during the Middle Ages. Flemish and Brabantine sculptors excelled at their craft and mastered the art of telling a story with statues. Surprisingly, however, this rich culture is not very well known. M aims to change that with the research-based exhibition Crossing Borders. Medieval Sculpture from the Low Countries.

Aachen masterpieces coming to M

One of the biggest German sculpture collections is coming to Leuven especially for the exhibition. Almost 100 statues from the Suermondt-Ludwig-Museum in Aachen are being exhibited outside Germany for the first time, beside 18 works from the permanent collection at M. The exhibition thus presents an extensive survey of late Gothic (1350-1550) mastery in the Low Countries.

Passport of a statue

This research-based exhibition brings together altarpieces, statues of saints, decorated sculptures, ivories and reliquaries that were probably all produced in the Low Countries. But how does one identify these statues? Who made them? Who commissioned them? Since many sculptures and much source material has been lost, these questions sometimes remain unanswered. They are thus often grouped by town or by region, such as ‘Brabant’ or ‘Southern Low Countries’. Nevertheless, these categories are rarely definitive. This exhibition is therefore pioneering a new approach. According to this method, each statue is given a passport that consists of various characteristics. This allows the statues to tell us more than only the town or region in which they were produced.

113 pieces, from the 11th to the 17th century

95 masterpieces from Aachen will be juxtaposed with 18 works from the permanent collection at M. The pieces include creations by Jan Borman, the Master of Elsloo, Jan van Steffeswert, Hendrik Roesen, the Master I.T., the Master of the Five-Pointed Star, the Master of the Utrecht Stone Head of a Woman, and Master Balthasar. The Peter Altarpiece from Opper-Gerle is one of the absolute highlights of the exhibition. It is not only exceptional due to its size, but is also striking for the detailed execution of its many figures.

Curators: Marjan Debaene & Peter Carpreau

An initiative of and research conducted by ARDS, Expertise Centre for Medieval Sculpture, in collaboration with the Suermondt-Ludwig-Museum in Aachen. The exhibition will be accompanied by a catalogue in German.


Catalogus information: 

Niederländische Skulpturen von 1130 bis 1600
Edited by Dagmar Preising and Michael Rief
256 pages and 187 color images
Petersberg (Micheal Imhof Verlag) 2017
ISBN 978-3-7319-0606-3


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