Portrait of an M-bassador: Marie-Paule Dumont

Portrait of an M-bassador

Zaalzicht 'DOKA', 2024, M Leuven, ‘OUAAA’, Benoït Platéus, 2007, Collectie Vlaamse Gemeenschap bij M Leuven

Zaalzicht 'DOKA', 2024, M Leuven, ‘OUAAA’, Benoït Platéus, 2007, Collectie Vlaamse Gemeenschap bij M Leuven, foto: © Elias Derboven voor M Leuven

She was raised in West Flanders, amongst other places (“I can follow ‘Chantal’ without subtitles!”), but after studying mathematics at university, Marie-Paule Dumont stayed in Leuven. She’s been an M-bassador for around two years now, and she loves the role.

Zaalzicht 'DOKA', 2024, M Leuven, ‘OUAAA’, Benoït Platéus, 2007, Collectie Vlaamse Gemeenschap bij M Leuven

Zaalzicht 'DOKA', 2024, M Leuven, ‘OUAAA’, Benoït Platéus, 2007, Collectie Vlaamse Gemeenschap bij M Leuven, foto: © Elias Derboven voor M Leuven

My soul comes alive in this building

Marie-Paul Dumont
M-bassador

Yet the first encounter happened in very different circumstances, as Marie-Paule explains.

 

“About 11 years ago, more or less by chance, I read an announcement: ‘Museum seeks volunteers for events’. I thought it might be something for me. I’d never visited M before, but I had time on my hands – I was between jobs – and I lived on Bondgenotenlaan, just a ten-minute walk away. And I’ve always been fascinated by art. After my husband died, in 2007, I began visiting museums more and more often: the big institutions in Paris, MoMA in New York...”

 

“I could host conferences and dinners at M, which I enjoyed. Since then, I spend half a day a week at the audio desk in the main hall: I welcome visitors, show them the cloakroom, hand out plans, explain how the audio guide works... And if I feel people are receptive, I have a chat.”

 

“Recently, at Leen Voet’s exhibition, I encountered a group of about ten young girls. ‘Would you like an audio guide?’, I asked, but I noticed they kept their distance. As if they were thinking: what on earth does that older woman want from us? I managed to convince them to take one anyway, and a few hours later they were back at the desk with huge smiles on their faces: ‘Thank you so much !’ And when you have moments like that, you think, I’m going to carry on doing this for a very long time.”

Zaalzicht 'DOKA', 2024, M Leuven, ‘Écriture’, Marthe Wéry, 1981, Cera-collectie bij M Leuven

Zaalzicht 'DOKA', 2024, M Leuven, ‘Écriture’, Marthe Wéry, 1981, Cera-collectie bij M Leuven © InC., foto: © Elias Derboven voor M Leuven

Friends' day

“I became an M-bassador two years ago. I should have done it sooner, really, because it offers nothing but advantages. I adore the activities. There’s a biannual day trip, for example, when coachloads of M-bassadors hit the road. We go to incredible places. Like La Boverie, the museum in Liège, where one of the curators took us on an animated guided tour of ‘Private Views’, an exhibition with some 200 works from local private collections. The visit to the IJzerenberg arts park was also memorable: a villa in Winksele with a huge garden in which they organised regular exhibitions – truly beautiful! Unfortunately, it has since closed.”

 

“Once a year, in June, there is also a Friends’ Day. We have breakfast together at the museum, after which we can choose from all kinds of activities. The lecture on the museum’s silver collection has stayed with me. M apparently has so much silver that it takes a whole crew of volunteers to polish it.”

Impatient by nature

“I have always been impatient by nature, but since my retirement a year and a half ago, all that is changing – a person evolves. As an M-bassador, you always have free access to the museum, including the temporary exhibitions. I take much more time for that now than I used to. As a result, I’ve come to appreciate works that I might have previously overlooked.”

 

“Perhaps the best example is ‘Tropical Archive’, a work by Paul Casaer  from the new collection presentation 'DOKA'.”

 

‘It’s a large installation from 2020, in iron and lacquer. I normally prefer late nineteenth and early twentieth-century art – the Impressionists, Rodin, Meunier, and others – but I’ve come to particularly appreciate this work. There’s something static about it but, equally, it’s playful and rather light-hearted. And there are leaves – I’m a plant lover!”

 

“To be honest, I don’t necessarily need to know the story behind an artwork. I’m more interested in how it’s made. It’s fascinating that ‘The Last Supper’ by Dieric Bouts is composed of as many as five different layers, for example. In fact, I once took a painting restoration course myself.”

Marie-Paule bij 'Tropical Archive', een werk van Paul Cassaer, Collectie Vlaamse Gemeenschap bij M Leuven

Zaalzicht 'DOKA', 2024, M Leuven, ‘Tropical Archive’ (detail), Paul Casaer, 2020, Collectie Vlaamse Gemeenschap bij M Leuven © de kunstenaar, foto: © Elias Derboven voor M Leuven

‘Tropical Archive’, Paul Casaer, 2020, Collectie Vlaamse Gemeenschap bij M Leuven

‘Tropical Archive’ (detail), Paul Casaer, 2020, Collectie Vlaamse Gemeenschap bij M Leuven © de kunstenaar, foto: © Elias Derboven voor M Leuven